Join us for a special SUSTAINABILITY NETWORK HAPPY HOUR + SOCIAL MEDIA WORKSHOP led by Nicole Rademacher, Digital Communications Manager at the Department of Cultural Affairs for the City of Los Angeles.
Each month Sustainability Network members (artists, creatives, administrators, producers, and organizers) meet to get to know one another; talk about our work, needs, and interests; and workshop ideas for artist sustainability over tasty cocktails. Join us and meet other artists and creatives (potential collaborators, gigs, service providers, or just new friends), and check out the gallery.
Drinks and light snacks will be provided. Suggested donation $10.
LACE is located at 6522 Hollywood Blvd, Los Angeles, CA 90028. Park on the street, in a paid lot off Wilcox, or walk from Hollywood/Vine Metro. http://welcometolace.org/
ABOUT THE WORKSHOP
Bring your smartphone or laptop and learn some simple tips and tricks to up your social media game! We'll cover the three main social media platforms (Facebook, Instagram, Twitter), as well as other available free apps, and learn how to document your work and activities like a pro using only your smartphone. You'll leave feeling proactive to engage with your community and find like minds in the interwebs.
Nicole Rademacher is an artist and digital communications professional. She currently serves as Digital Communications Manager for the City of Los Angeles Department of Cultural Affairs. Before working for the City she was Director of Communications & Outreach at 18th Street Arts Center in Santa Monica.
IN THE GALLERY
"I can call this progress to halt" is a project curated by Suzy Halajian, composed of an exhibition, a series of screenings and performances, and a publication at LACE, March 8 – April 23, 2017. The project considers gestures of protest, unrest, and incendiary exchange as the starting point to a conversation. Multimedia works and formats on view represent images of conflict and strife that are oftentimes stripped of their original or intended context. Considered together, they function more as dispersed, floating representations of contested moments in time that refuse to stand fixed, and instead vehemently call for another engagement with the world, an imagined world.
(http://welcometolace.org/)