WORK INDEPENDENTLY,
NOT ALONE.

MEGAN BROUGHTON uses experimental etching and drawing techniques to inspire care for and curiosity about the climate by bringing faraway environments closer to home. Her time spent on Arctic sailing vessels taught her that “Everything is always changing and adapting and that isn’t necessarily a big scary thing if you’re in tune with it and able to do the same. It’s when you aren’t paying attention, or take things for granted, that things go sideways.”

CARLY LAKE creates artwork inspired by and intimately connected to the natural environment where she lives. She says, “Growing up in Southern California, I felt a lack of understanding of and connection to the nature around me. That longing and a drive to create led me to practices like natural dyeing – one of the tangible ways I connect to the landscape and enter into community with others who care deeply for the wellbeing of our environment.”

PHILLIP T. NAILS is co-founder of Typewriters Anonymous, a band of typewriter and performance poets, musicians, and artists who bring analog vintage spectacle to special events. Additionally, they produce workshops and performances that cultivate community, collaboration, and creativity. Phillip says, “We want to strengthen our communities and our own wellbeing through poetry and healing-centered practices. We want to make things we cannot yet imagine.“

VIRGINIA BROERSMA and CORRINA PEIPON took some time out of their busy art and advocacy careers to introduce STUDIO LOAN, a joint project from The Artist's Contract and Contemporary Art League that helps artists in the Los Angeles area to lend and borrow studio spaces. Not only do we hope to raise awareness of this program locally, we hope that folks in other cities will consider bringing the program to your community!

JANUARY ARTS is a support network for the art community. The Los Angeles nonprofit was founded by KRISTINE SCHOMAKER in 2024 and represents the latest effort by the artist to create space for community and career growth outside of the competitive commercial marketplace. Kristine believes that “When you realize you aren’t alone, or that you don’t have to be alone, opportunities open up.”

TRICIA CREASON-VALENCIA is a storyteller and an activist. She uses every tool in her kit, from motivational speaking to documentary filmmaking to education, to share her story and the stories of those around her. She also actively works to support others and create structures for learning and creative expression. She co-founded PowerHouse in San Jose for women+ entrepreneurs to grow their businesses in community.

Behind the Curtain: Navigating the Art World is a new professional development membership program for art professionals. It’s a project of RAY BELDNER’s Startup Curatorial, which grew out of the Startup Art Fair that Ray co-founded in 2015 (and which is how we met!). Like Rhizomatic Arts, Behind the Curtain and Startup Curatorial are helping artists find the resources, skills, and community that are essential to a sustainable career.

Remainders Creative Reuse, a 6000 square foot arts and crafts thrift store in Pasadena, diverts materials from landfills while providing inexpensive supplies and inspiration to artists of all ages and experience levels. They also host classes and other programs, curated by Rhizomatic Arts community member TOBAN NICHOLS, who says, “My art practice feeds into my work at Remainders and vice versa… It’s the mix I’ve always dreamed of, and the freedom I hoped I would someday have.”

The Contemporary Art League was co-founded by Los Angeles artists who believe that, together, we have the power to change the material conditions for artists and arts workers. “We want our community of art workers to be able to live dignified lives with a commitment to creating and caring for visual culture, and we want that for ourselves, too.” Read on to learn about their vision for a “cooperative trade organization” for L.A. County artists, and how to get involved!

I describe my approach to web design as “collaborative” because, as an artist, collaboration is in my DNA. I want to share with you what that means, in the case of a website refresh.

When I met Santa Fe-based ERIN ELDER, I immediately recognized a professional soul mate. She takes a personal, therapeutic approach to supporting artists in their careers over weeks, months, or even years.

In this website redesign for Paufve Dance, background videos create movement and life.

Created by artists SUSAN SCHWARTZ and VIRGINIA BROERSMA, the FARE Contract is a free, artist-centered sales agreement that advocates for elevating the rights of artists when their work is sold. “We believe that by empowering artists… we can embed a sense that asking for and negotiating your rights is something any artist can and should do.”

Michael Morgan’s passion is helping marginalized communities find their voice through theater and performance. The goal of this design was to generate new projects & relationships.

Deborah came to me to “level-up” her web presence with a website that would appeal to talent agents and casting directors.

SHAINA LYNN SIMMONS is an actress, performance artist, and creative producer, healer, and author. She says, “At the interstice of activism and artistic praxis, my work seeks to heal the past, tend to the present, and reimagine the future of the diaspora […] as an organic archaeology to elevate Black stories.”

TATIANA VAHAN’s art projects, which include the Los Angeles Artist Census and the bar-fund, function as community-based activism through projects “organized on the principles of direct action, cooperation, and self-determined power by artists.”

KATRINA FRYE is keeping a close eye on the economic conditions that artists must work in, and common pitfalls that make it harder for all of us to do well. She says: “If we aren't careful we will suffer if more people offer below market rates for sub par work. I am working alongside younger people right now to educate them on their market value.”

The “shape” of an artist’s body of work, as well as the different forms the work takes, call for different website structures. This is where I can help an artist get clear about how they want their website to work for them and translate that into design.

VIRGINIA BROERSMA is a fine artist who puts her administrative and organizational skills to work for others. She says, “I want to contribute to shaping the art world/community/market that I want to participate in. This world would offer opportunities to a wider swath of people, would support art and art makers as essential pieces of our society, and would make artists feel valued and less desperate.”

KAI HAZELWOOD doesn’t mince words when it comes to what she thinks we need more of in the arts. “I'm less interested in how the field is changing and more interested in remaking it entirely by disempowering its traditional structure and building an independent, stable, and lucrative collaborative that can operate outside of the traditional axis of institutional funding and support.”

When asked how he sees a culture of sustainable arts practice developing today, YOUNG-TSENG says, “it’s empowering when I see and know artists who are doing more for themselves and other artists, and doing it with the values and practices they embody in their art making.”

Rhizomatic Arts spotlights artists who push us to think differently about how artists live and work. MARCUS CECILIO KUILAND-NAZARIO describes himself as “a Cultural Mercenary” and an “Art Doula.” He says: “I am less interested in ‘the field’ and more and more interested in ‘the field workers’. How can I help my fellow artists? How can I become a better artist?”

Rhizomatic Arts spotlights artists whose creative practices push us to think differently about how we live and work. KATELYN DORROH describes their practice as “exercising accountability for the privilege they have, the resources they have access to, and to act expansively to the structures of power in which they exist.”